Why did it surprise them? Was it because he was having difficulties with another Latin dance? Perhaps because he doesn't "move his hips enough"? Or was it the obvious reason, because he's not Latin American?
It's not the first time I've come across this, not the first time I've heard criticisms of him. Let me say this first, Ian volunteers his time, he's not paid to teach, doesn't make a dime off it and doesn't teach for a living. He's a computer programmer. He began teaching because in our collective, which is self-run by the collective through assemblies that we hold, the then teacher left and no one stepped up to teach. He did. A big fucking E for Effort.
Secondly, who are we to judge? Who says that salsa needs to be taught by a Latin person? Sure, there are nuances, there are cultural elements that perhaps a Latin person may provide but the reality is we live in an increasingly globalized society. Borders are lines in the sand that can be traversed with the click of a mouse. And it's dance, that art form that regardless of where you come from, where you live, if you can dance you can dance. One of my closest friends back home, Leo, is one of the most phenomenal salsa dancers I've ever seen and he's Filipino. And learned by taking classes.
I understand where the possessive nature of the argument comes from, however. As a New Yorker I sometimes think that "pure" Hip Hop should have a New York sound. I give preference to NYC MC's. Southern rappers, rappers from just about any other locality, need to be vetted first. Why? There's this idea that your origins will influence who you are and how you do things. There's also another axiom: it's not where you're from, it's where you're at.
I get where the argument comes from, the sentiment, but the fact of the matter is this: if someone does something better than you and can teach you that shouldn't that be more valued than where they're from?
No comments:
Post a Comment